Paris Airport Charles de Gaulle: Instant Lounge, Instant Leisure

I didn't know anybody who was excitedly looking forward to a stopover in Paris - notably at Charles de Gaulle airport.

Soyez bienvenus at the - free! - transfer lounge of Paris Charles de Gaulle Airport.
It's not only comfy and cozy, it's most of all hyper classy!
(Photo: Gwen Le Bras / Aéroports de Paris SA)

Well, this changed dramatically, and I'm here to show you what you are missing out on when you choose not to stop there.

this way to read the whole story >>>

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Vive La France! Nov. 13, 2015

UPDATE: What Is That?

A lot of people have asked me where I found the graphic posted above and who did it. I found it online, on Twitter, I think and I had no idea who had done it when I posted it right after the terrorist attacks in Paris. Think Progress had the whole story a few days later.

It looks like something he made in a rush. Like something he scribbled on a cocktail napkin. Something he could have drawn in four strokes. Circle, upside-down V, cross. Black ink on a white background. The image-- the marriage of the peace sign and the Eiffel tower-- is the product of French graphic designer Jean Jullien. He posted his work, titled “Peace for Paris,” on Twitter and Instagram near midnight on November 13, just hours after the massive terrorist attacks on six separate locations in the city left hundreds wounded and over 120 dead.

Jullien created the image only a minute after learning about the attacks. “It was done on my lap, on a very loose sketchbook, with a brush and ink,” he told Wired. He didn’t think it out beforehand or go to the page with a plan. “It was more an instinctive, human reaction than an illustrator’s reaction.”

The image went viral. Jullien’s original tweet has been retweeted almost 60,000 times; his original Instagram has over 163,000 likes. Earlier today, he posted another image on Instagram thanking his followers “for your messages of support for Paris… I just want to say that I did it in the most spontaneous and sincere way, as a heartfelt reaction to what was happening. It’s a drawing for Paris, for all the victims and their families.” He emphasized that he does not seek any “benefit” from it. “It’s a sign for everybody to share and show their support and solidarity.” (Jullien did not respond to ThinkProgress’ request for comment as of publication.)

The concept seems so simple — the Eiffel tower’s structure so obviously aligned with the innards of the peace sign-- it’s almost amazing that no one has ever thought of it before. The Eiffel tower is a spry 126 years old, and the peace sign has been bopping around the public consciousness since Easter of 1958. Gerald Holtom designed the symbol for the Direct Action Committee Against Nuclear War to plaster on placards for a march from London to Aldermaston, site of the Atomic Weapons Research Establishment. Holtom later described the image as being reflective of his inner state, which was one of “an individual in despair, with hands palm outstretched outwards and downwards in the manner of Goya’s peasant before the firing squad. I formalized the drawing into a line and put a circle round it. It was ridiculous at first and such a puny thing.”

So why did Jullien’s image catch on? What makes something so simple so special?

An effective symbol is “something that usually connects to someone’s preexisting knowledge about something,” said John Caserta, head of the graphic design department at the Rhode Island School of Design. “So to combine the Eiffel tower and the peace symbol, it’s a two-for-one.” An image like this “is like a phrase, or a simple piece of text, a title, a catchphrase. It’s a visual version of that. It’s something that is already connecting or resonating with people, so it works immediately. It doesn’t ask them to work very hard.”

“In this context, any messages of peace are especially moving, because they exist in a landscape of so much violence, xenophobic noise,” said Scott McCloud, author of Understanding Comics. Jullien’s drawing is “so eloquently simple, it also conveys a sense of timelessness and strength,” said McCloud. “You see something like that and it has the ring of truth about it. It feels like something that won’t blow away in the wind. It doesn’t feel ephemeral.”

The fact that it is so obviously drawn by hand adds to its emotional punch, said McCloud, especially considering how it stands out against the usual photoshopped offerings on Instagram. “I think that sometimes, that slightly sloppy, rapidly drawn quality… can strengthen the symbol, because the abstract nature of the symbol shines through despite that imperfect rendering. I think that can often be a lot more persuasive than something done in, say, Adobe Illustrator. This was made by the hand of a human being, you know?”

“That it’s made by hand makes sense, because it’s a tragedy that’s on a very human scale,” said Caserta. “It’s not childlike at all, but I think whenever you have something handmade, there is something kind of naive and pure and simple, and it brings your guard down a bit and makes you realize some of the basics. Peace is one of those. Without it, we don’t have much.”

“It doesn’t feel mass produced,” McCloud said. “But it feels like it’s for the masses, nevertheless.”

Caserta agreed. “Just looking a it, it feels immediate, and when something happens of this sort, it makes sense that it wouldn’t be highly polished or corporate. That it is someone there responding right away.”

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New York Times: The 46 Places To Go In 2013

I don't want to ruin it for anyone, but #46 is... Paris. Like after you've been to Burma's Mergui Islands, Republic of Congo, Ningxia (China’s answer to Bordeaux), Houston, Delhi, and Pecs (Hungary). And Marseille-- which comes in as the #2 destination of the year! "Whether you travel to eat or shop, surf or ski, new adventures await," this week's Travel Section promised. OK, but if you're looking for any good ideas about where to go... well, I should be fair. There are some. But you have to be discerning enough to remember that they're recommending Paris because "it has a new allure: a green and walkable Right Bank."

Where once there was just a busy road, there are now alder trees, native Seine grasses and wide walking and cycle paths, all due to a 35-million-euro beautification project led by Mayor Bertrand Delanoë. Wooden furniture to stretch out in has been installed along the banks, where visitors can relax while taking in the view of Notre Dame Cathedral, and five adjoining islands in the river are being turned into “floating gardens.” Across the river, ambitious steps are being taken to transform a nearly 1.5-mile stretch of the Left Bank free of cars by this spring, with 11 acres of new green space between the Musée d’Orsay and Pont de l’Alma.

The recommendation right before Paris, Casablanca, is the Moroccan destination of choice. Not mine, though. I've been to Morocco over a dozen times and to Casablanca several but... Fez, Marrakech, Essaouira, Taroudant, even Tangier all go before Casa, even if it has lovely architecture, North Africa's tallest towers and is "developing one of the most interesting modern art scenes in the Arab world." To be honest, the reason I do like going to Casablanca-- usually to catch a flight somewhere else-- is because it boasts one of the most spectacular seafood restaurants in the world, Le Port de Pêche, a hidden gem most people who get their travel advice from the New York Times would probably miss ("scary" location on the docks). But-- with a discussion of the relative merits of the art, architecture and cuisine saved for another day-- I think most tourists would get a bigger kick out of Taroudant than Casablanca.

And the Times' #1 destination for the year? Rio. OK, I want to go there too. But I don't know if my reasons are related to the Times'. South America's first Apple store? Gimme a break!

Fifty-three years after Brazil’s federal government decamped to Brasília, and decades after São Paulo took over as the country’s business capital, Rio is staging a comeback. With the 2014 World Cup and 2016 Summer Olympics (plus an oil boom) providing the impetus, the tropical city perhaps most famous for its Carnival hedonism is on its way to becoming a more sophisticated cultural hub. In January, the Cidade das Artes, or City of the Arts, was inaugurated as the new home of the Brazilian Symphony Orchestra. On March 23, Casa Daros-- an outpost of the Zurich-based Daros Latinamerica Collection-- will open in a renovated 19th-century building with an exhibition of Colombian artists. March will also mark the opening of the Rio Museum of Art in Praça Mauá, a once decrepit port area now being revived. (The Santiago Calatrava-designed Museum of Tomorrow, also in the port area, is scheduled to follow in 2014.) Shopping, a Rio obsession, got a boost in December when the luxe VillageMall opened; it will soon house the city’s first Gucci outlet and South America’s first Apple Store. Special events also dot the coming year’s calendar, including the Catholic Church’s World Youth Day in July, the biennial Rio Book Fair starting in late August, and September’s Rock in Rio. And, of course, there’s soccer: the finals of the Confederations Cup, considered a dress rehearsal for the World Cup, will be held in a completely overhauled Maracanã Stadium on June 30.

Some of the more worthwhile suggestions include Accra (Ghana), Mongolia, Bhutan, Amsterdam (yes, the Stedelijk and the Rijksmuseum are finally reopening), the Yucatán, Porto, Istanbul and Koh Phangan (where a German tourist was partially devoured by a shark last time I was there. They also recommend Kalpitiya, Sri Lanka, not one of the incredibly beautiful island's best destinations by any stretch of the imagination, and the Falklands, although why someone would go there rather than Tierra del Fuego is as hard to fathom as what rhyme or reason went into the list of 46 to begin with.

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